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why raga is coming in sa re ga ma definition, it should be the other way round na? can sum1 provide a good online source on western scales?
Because raga is made up of sa re ga ma crudely speaking . For free theory lectures check out a channel called "lypur" on YT. Over 50 episodes and it'll be like attending a proper music class right from note values to harmony lessons.
why raga is coming in sa re ga ma definition, it should be the other way round na? can sum1 provide a good online source on western scales?
We do not have any tabulatures or written musical notations in Indian system of music. Ragas are the only way we, in general, know about the applicability of the indian music theory. Unlike western scales which have a fixed frequency, indian scale is all relative, their frequencies are defined in relation to the frequency used for the first note.
why raga is coming in sa re ga ma definition, it should be the other way round na? can sum1 provide a good online source on western scales?
We do not have any tabulatures or written musical notations in Indian system of music. Ragas are the only way we, in general, know about the applicability of the indian music theory. Unlike western scales which have a fixed frequency, indian scale is all relative, their frequencies are defined in relation to the frequency used for the first note.
Indian music too have written musical notation - 1) Bhatkhande method, 2) Paluskar method
Indian music too have fixed frequencies -
the only difference is of dha(धैवत) sur.. which is somewhere between G and A note...else all other frequency notations are same as western ... the frequencies which are not matched with western notes are Gram (ग्राम) swar of seven swaras ...
why raga is coming in sa re ga ma definition, it should be the other way round na? can sum1 provide a good online source on western scales?
We do not have any tabulatures or written musical notations in Indian system of music. Ragas are the only way we, in general, know about the applicability of the indian music theory. Unlike western scales which have a fixed frequency, indian scale is all relative, their frequencies are defined in relation to the frequency used for the first note.
Indian music too have written musical notation - 1) Bhatkhande method, 2) Paluskar method
Indian music too have fixed frequencies -
the only difference is of dha(धैवत) sur.. which is somewhere between G and A note...else all other frequency notations are same as western ... the frequencies which are not matched with western notes are Gram (ग्राम) swar of seven swaras ...
@Abhishek Gupta It is not about notations, it is about the base frequency, which is NOT fixed like 440 hz. bhatkande and paluskar are only adaptations of classical indian style of music into western one. There is no innovation there. It is actually a shame, when you consider the rich heritage of indian classical music.
why raga is coming in sa re ga ma definition, it should be the other way round na? can sum1 provide a good online source on western scales?
We do not have any tabulatures or written musical notations in Indian system of music. Ragas are the only way we, in general, know about the applicability of the indian music theory. Unlike western scales which have a fixed frequency, indian scale is all relative, their frequencies are defined in relation to the frequency used for the first note.
Indian music too have written musical notation - 1) Bhatkhande method, 2) Paluskar method
Indian music too have fixed frequencies -
the only difference is of dha(धैवत) sur.. which is somewhere between G and A note...else all other frequency notations are same as western ... the frequencies which are not matched with western notes are Gram (ग्राम) swar of seven swaras ...
@Abhishek Gupta It is not about notations, it is about the base frequency, which is NOT fixed like 440 hz. bhatkande and paluskar are only adaptations of classical indian style of music into western one. There is no innovation there. It is actually a shame, when you consider the rich heritage of indian classical music.
its not a shame after all... you can see that after westernization, variety has been lost in each and every field.. previously there are more than 100 variety of a single crop say barley... now with GM crops, the variety has been lost .. a single variety for everyone .. the same thing happens to classical indian music .. every singer has different voice and pitch.. according to that instruments are made... you can see more than 100 types of bansuri and tanpura.. but western music fixes the swaras... now indian music has adapted it.. what else can be done ...
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Indian music too have fixed frequencies -
the only difference is of dha(धैवत) sur.. which is somewhere between G and A note...else all other frequency notations are same as western ... the frequencies which are not matched with western notes are Gram (ग्राम) swar of seven swaras ...